Chasing fog above the hills
Four mornings, one tripod and the twenty minutes when the clouds finally broke.
Read storyI photograph people the way they are when they forget the camera is there.
I'm Mara Voss, a portrait and editorial photographer based in Lisbon. For twelve years I've worked with magazines, brands and private clients across Europe, always with the same idea: honest light, real moments and very little fuss.
I shoot on digital and medium-format film, edit every picture by hand and keep shoots small and calm, so the people in front of the lens can simply be themselves.
Portraits, editorials, landscapes and street pictures from the last few years. Pick a category, or open any picture full screen.
Every shoot starts with a conversation. Prices include planning, the shoot and hand-edited pictures; travel is quoted separately.
Relaxed sessions at home, outdoors or in my Lisbon studio, for actors, authors, founders and anyone who wants a portrait that looks like them.
Stories for magazines and labels, from moodboard and casting to the final edit, on location or in the studio.
Small weddings and elopements anywhere in Europe, photographed quietly and documentary-style, with a printed album to keep.
Product, campaign and team photography for brands that want pictures made with the same care as their work.
Archival prints of selected series on cotton rag paper, signed and numbered, shipped worldwide in a flat case.
Relaxed sessions at home, outdoors or in my Lisbon studio, for actors, authors, founders and anyone who wants a portrait that looks like them.
Exhibitions, awards and publications from the last few years, with thanks to every curator, editor and sitter who made them possible.
Mara has a rare way of making people forget they're being photographed. Our cover portraits were the most honest we've ever run.
Notes from shoots, the gear I trust and the stories behind the pictures.
Four mornings, one tripod and the twenty minutes when the clouds finally broke.
Read storyThe two cameras, three lenses and one small light that go everywhere with me.
Read storyWhat twelve years of stills taught me about moving pictures, and what they didn't.
Read story